As David Coleman points out in the preface to “The Fourteenth Day,” the episode “is famously remembered as a thirteen-day crisis,” in large part because “Robert Kennedy chose ‘Thirteen Days’ for [his] memoir of the crisis” and because “much later, there was a Hollywood movie of the same name.” But contrary to received wisdom, the confrontation did not end in resounding triumph for the United States when, on Oct. 28, Premier Nikita Khrushchev caved and agreed to pull his missiles out of Cuba. Instead, as Coleman demonstrates, “Khrushchev’s capitulation had not brought the finality to the crisis that many had hoped for. A year after the crisis, just days before his assassination, Kennedy was still referring publicly to ‘unfinished business’ from the Cuban missile crisis.”
Coleman, who teaches history at the University of Virginia, adds little to our knowledge of the period following Khrushchev’s decision, but he adds nuances to our understanding of it because, as director of the Presidential Recordings Program at the Miller Center in Charlottesville and Washington, he has intimate knowledge of the tapes that Kennedy made, “most likely in anticipation of one day writing a memoir,” in the Cabinet Room of the White House between July 1962 and November 1963. At Kennedy’s place at the conference table in that room there was, “attached to the table, a discreet button . . . [that] allowed Kennedy to stop and start the reel-to-reel tape recorder that was downstairs in a basement room used for filed storage.” Apparently the only people who knew about this system were his secretary, Evelyn Lincoln; “the Secret Service agents who installed and maintained the system”; aide Kenneth O’Donnell; and Robert Kennedy and his secretary. More >>