by Doug Sarti
Rosafé Signet, a Canadian bull known as the father of the Cuban dairy
industry, will be honoured with a life-sized statue this coming week in
Cuba.
Born in Ontario in 1954, Rosafé was sent to Cuba in 1961 in a
$100,000 sale arranged by the Diefenbaker government. A personal
favourite of Cuban leader Fidel Castro, Rosafé would go on to father
countless (one estimate indicates more than one million) dairy cattle
and help attain the Cuban government’s goal of providing one litre of
free milk per child per day.
After Rosafé’s death in 1965, Castro
commissioned noted Cuban sculptor Rita Longa to immortalize the bull.
After she fashioned a bronze replica of Rosafé’s head, a metal shortage
prohibited any further work. The cast head then sat in Longa’s Havana
studio until 1977, when it was noticed by Vancouver lawyer Carey Linde
during a reception for the American Association of Jurists.
“It was just pure whimsy,” he tells the Georgia Straight by phone, “but it made sense that we complete this.”
Upon
returning to Canada, Linde approached the Trudeau government about
funding, without result. The project was then sidelined until he
returned to Cuba four years ago.
“I took it upon myself to find
out what happened to the head,” the 72-year-old Linde recalls, only to
discover it lost. “In the process, I came across a number of people who
were unbelievably keen to complete the job.”
Although the Cuban
government donated the 600 kilograms of bronze required, more funding
was still needed to finish the statue. Looking for novel ways to raise
money, Linde tried the local crowdfunding platform FundRazr—the company
was receptive, but its American-owned online-payment partner, WePay,
was not, due to the U.S. embargo against Cuba. This, says Linde,
contravenes the Canadian Foreign Extraterritorial Measures Act (FEMA),
which ensures Canadians a free hand to do business with Cuba.
Vancouver lawyer Carey Linde launched a 38-year campaign to complete the statue of a Canadian bull known as the father of the Cuban dairy industry. |
“I’ve
written to the attorney general, who handed it off to the minister in
charge of the RCMP, Peter Blaney, and he’s not responding.”
WePay
didn’t address the potential FEMA violation, but spokesperson Marybeth
Grass noted by phone that Canadian account information is sometimes
processed in its American data centres. “Accordingly, the laws of the
United States apply to the use of that data.…WePay may not support
transactions with Cuba directly or indirectly.” (As of press time,
Blaney had not responded to an inquiry.)
Despite setbacks, Linde
has successfully raised the funds from individual donors, as well as his
own pocket. “I’ve been literally selling my RRSPs to finish this
thing,” he says.
Although Rosafé remains something of a bovine
Norman Bethune—both have much stronger legacies in their adopted
socialist countries than in their native Canada—that may change with the
upcoming documentary Rosafé Siempre. Directed by Rolando Almirante, the
film documents both Rosafé’s story and Linde’s campaign for a statue.
Linde’s
38-year effort clearly represents a labour of love, but he also notes
deeper themes in Rosafé’s story, not just of international cooperation
and Canadian independence but the thought that one being can represent
the will of a nation.
“Rosafé,” Linde says, “is a striking symbol
of the Cuban Revolution’s commitment to meeting the basic needs of its
children and people.”
The finished statue, by sculptor Tomás Lara, will be unveiled May 20 at a studio in Havana.
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