Recovered paintings are pictured during a news conference at FBI Headquarters in Los Angeles, California, Dec. 19, 2014. |
MIAMI—When Gil Marmol and his family
fled Cuba in 1961 the revolutionary government seized 17 paintings that
they left behind, including two watercolors by Mexico's Diego Rivera.
Years later, he discovered that one of the works was smuggled abroad
and then sold at auction in New York in 1995 to an unknown buyer. That
was the only real trace of the Marmols' collection, just some of the
artwork confiscated in the early years of the revolution that will prove
difficult to recover even as the island normalizes relations with the
United States.
Cuban Americans like Marmol could be fighting for decades more to win
back paintings and other artwork lost in Cuba due to protracted legal
struggles and because many of the items have disappeared.
“I encourage people to seek their property ... but finding movable
items like paintings or jewelry is particularly difficult,” said Tania
Mastrapa, a consultant on property rights in former Communist countries.
For example, descendants of White Russians who lost property in the
Russian Revolution a century ago are still trying to recover paintings
to this day, she said.
In the early 1960s, specialized Cuban government teams sealed the
homes of wealthy exiles and took away paintings, antiques and jewelry.
Some of the goods, such as one of the world's largest collections of
Napoleonic memorabilia that was amassed by sugar baron Julio Lobo, were
housed in Cuban museums where they remain. The Cuban government says it
now owns works like that because they were abandoned.
Other confiscated pieces were auctioned off to the public or smuggled
overseas, mostly to Europe, either by corrupt Cuban officials or by the
government itself when it needed hard currency, art experts say.
While political change in Cuba will take years despite improved
relations with the United States, Cuban Americans hope that Havana will
eventually return confiscated homes, businesses and artwork or
compensate them.
The art seized ranges from family portraits of little financial value
to Cuban and European paintings from the 19th and early 20th centuries,
Mastrapa said. One wealthy family, the Fanjuls, lost an art collection
valued at up to $60 million. It included more than a dozen works by
Spanish impressionist Joaquin Sorolla and a Michelangelo pencil drawing.
Hundreds of claims
There could be hundreds of claims for works of art as Cuba and the
United States restore relations, said Mari-Claudia Jimenez, a New York
lawyer who specializes in trying to recover confiscated art from Cuba.
But the government and courts in the United States are limited in
what they can do to win reimbursement for artwork, businesses and
property owned by individual Cuban Americans as most of them were not
U.S. citizens when they fled Cuba.
Cuban exiles might have to wait until Cuba opens up and then go to court there to seek restitution.
“We get calls once every few months from someone who is looking to
recover their artwork and certainly I think there has been an increase
in those calls lately,” said Jimenez, of law firm Herrick, Feinstein
LLP. “People are starting to ready themselves to try to think of 'How am
I going to deal with going back to Cuba? Am I going to get anything
back?”'
She says she tells potential clients that it is too early to know how
Cuban politics will play out but that now is a good time to start
assembling documents proving ownership.
In a few cases over the years, auctioneers have mediated between the
original owners of valuable items seized in Cuba and later buyers of the
confiscated works to resolve claims.
No one has a definitive dollar figure for the artwork, antiques and other valuable assets seized in Cuba.
Fruitless search
Before making any claims, Cuban Americans first have to find their art.
Exile Marmol, 61, tried to track down his family's paintings after his father died in 2009 but it was a frustrating search.
The Dallas-based businessman located only one piece: the painting
“Hombre Cargando Alcatraces” by Rivera. He discovered through searching
the Internet and speaking to a friend in the auction world that the
painting had been sold by Sotheby's in New York for $145,500 in 1995.
He said Sotheby's refused to tell him who bought the painting because
of client confidentiality but they wrote to the buyer to point out his
claim of ownership.
“The purchaser responded that he did not recognize the painting, that
he had no record of purchasing it and he maintained this position,”
said Marmol.
Sotheby's in New York confirmed Marmol's version of events but declined to comment further.
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